Freddie Highmore

Fifteen-year-old Freddie Highmore has worked with some of the industry’s most celebrated directors and has amassed an enviable body of work in his short but illustrious career which began with performances in a number of television productions in the U.K., including the BBC film “Happy Birthday Shakespeare” and ITV’s miniseries “I Saw You,” and TNT’s “The Mists of Avalon” in the U.S. Most recently, he was seen in the title role in Tim Burton’s “Charlie and the Chocolate Factory” opposite Johnny Depp. The film was his second with Depp, previously teaming in Marc Forster’s highly acclaimed “Finding Neverland,” co-starring Kate Winslet, Dustin Hoffman and Julie Christie. The Oscar-nominated film was revered worldwide and Highmore not only swept the board for young performers’ awards, but was also double-nominated for SAG Awards and, in the UK, won the Empire Award for Best Newcomer.

“Charlie and the Chocolate Factory” saw Highmore gain the distinction of being voted Best Young Actor by the Broadcast Film Critics for the second year in a row and also reunited him with Helena Bonham Carter as his screen mother, a role she first performed many years previously in “Women Talking Dirty.” In 2005, Highmore filmed Ridley Scott’s “A Good Year” opposite Russell Crowe, Albert Finney and Marion Cotillard. The same year, he also starred in Luc Besson’s “Arthur and the Invisibles” with Mia Farrow, also filmed in France. Last year, Highmore took on the title role in his first American picture, shooting “August Rush” in New York with Robin Williams, Jonathan Rhys Meyers, Keri Russell and Terrence Howard. Previously, Highmore filmed Jean-Jacques Annaud’s “Two Brothers” in Cambodia and appeared opposite Kenneth Branagh in “Five Children and It.”

Freddie Highmore is a fabulous person and we really appreciated his time. Here’s what he had to tell us about his new movie, “The Spiderwick Chronicles ”:

Q: You’ve got a birthday coming up pretty soon, don’t you?

FREDDIE HIGHMORE: Yeah, 14^th of February.

Q: Do you have any special plans for your birthday?

FREDDIE HIGHMORE: No, no particular plans, not yet.

Q: 14^th of February, did you say? Valentine’s Day.

FREDDIE HIGHMORE: Yeah. That's right. And the day the film comes out, as well.

Q: Would you say you’re more like Simon or more like Jared?

FREDDIE HIGHMORE: Maybe somewhere in between the two.

Q: Which was easier for you to play?

FREDDIE HIGHMORE: They were both kind of different. It was great to have the luxury of playing them both. I guess I would be somewhere in between them because Jared's got perhaps some anger issues which I would hope not to have. I'm not going to smash holes in my kitchen. But, you know, you'd like to have that drive that he does to sort of fight for his family and continue with that and go for what he believes in.

Q: Is this the first film that you’ve done an American accent?

FREDDIE HIGHMORE: No, I'd done one before in “August Rush” earlier in the year. So I guess it was just coming back to it.

Q: Is it easy for you to do accents?

FREDDIE HIGHMORE: I try and talk in it as much as possible, so it becomes second nature. You know it's important. You don't want to have to worry about real intrusive R’s and the vowel sounds. You want to just concentrate on the emotions and the important side of the character.

Q: Are you still playing the guitar after learning it in “August Rush”?

FREDDIE HIGHMORE: Yeah. A little bit, yeah. I try and keep it going. It’s fun.

Q: How did you go about defining the characters of the two boys?

FREDDIE HIGHMORE: It was looking at changes that might have happened to them as they were growing up. I mean genetically they're the same person. And so in a sense it's just interesting to look at how they reacted to different situations as they’ve been growing up and the way they’ve reacted to their parents’ divorce is key. Simon is perhaps more internal but still just as hurt.

Q: You seem to alter the body language in each case as well as the vocal cadences.

FREDDIE HIGHMORE: Yeah. I tried to do that as well and get that in. Also, we worked on the clothes and the visual side — the haircuts and the choice of clothes, the color schemes that were used for each of them.

Q: Did you have input into your hair and wardrobe?

FREDDIE HIGHMORE: Yeah, a little bit. We always sort of tried to discuss it. Definitely I think if they ask you to do a film, they've got a certain amount of — they want you be a part of it and put in your input. They don’t want you just to come up and do the character totally as it’s written. They want you to have your own ideas and bring something new to the project.

Q: What was the most challenging scene you shot?

FREDDIE HIGHMORE: I don’t know. It was quite challenging on the whole working with CGI creatures and twins, especially at the same time, and looking at ping pong balls and crosses on the walls and trying to remember which was which. I mean I think in that respect they tried to make it as easy as they could. They showed us various animations of how it would look, and they had cardboard cutouts and stuff so we wouldn't just be going at it without any knowledge at all. We had a certain amount of basis.

Q: Did you read any of the books before making the film?

FREDDIE HIGHMORE: Yeah. To do the film, I started to read them just to help with the characterization since that's sort of what it was based on.

Q: Now that you’re about to turn 16, are you starting to look for more mature roles? What goes into your decision making in terms of choosing new roles to play? What’s your thought process when you evaluate scripts?

FREDDIE HIGHMORE: I think you always want to try something different for every film you do. You always want it to be a new thing and new characters, new roles. It would be kind of boring to play the same ones over and over again. So, yeah, it would be interesting just to play different things, perhaps play a bad guy one time or someone really, really nasty. You never know.

Q: By the looks of it, this film seems to have been very physically demanding because there’s a lot of running and you’re getting dragged by goblins. Was it exhausting for you?

FREDDIE HIGHMORE: A little bit, yeah. A little bit physically demanding, but still you know it was always great fun. If it ever becomes not fun, you should just stop doing it and step aside. There are thousands of people who would love to be here in the situation that I'm in. So if you're not having fun, then just stop, I guess. I'm having a great time at the moment, so I'd like it to continue.

Q: When you were a little kid, was there a movie monster or a book monster that really freaked you out?

FREDDIE HIGHMORE: Not that I can remember. I'm sure there was. I mean, I think that's what perhaps Spiderwick’s appeal is to the younger kids — the fact that they've got sort of the wish that there could be another world in the back garden, another unseen world that hasn't been discovered yet. I think everyone in fact…like adults… I think it would be great if there were an alien or another world was found on Mars. Everyone would get really excited. It would be really big news, and that's what it taps into in the film.

Q: Do you have siblings?

FREDDIE HIGHMORE: I do. I have a younger brother.

Q: Do you guys get along real well? Have you ever wished for an older sister or are you glad you don’t have an older sister?

FREDDIE HIGHMORE: No, I mean my brother's good enough. [Laughs] But no, we get on very well. Yeah, we’ve always got on well. I think that's one of the worst things about doing films is if you spend a lot of time away from your family. My mom and brother usually stay at home in London so — I mean, they come and visit a few times during the shoot, but it's not really the same. And I guess that would be the worst thing about it.

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